There’s something about the way model Natalia Vodianova stands in the room. It goes beyond a pose, it’s a presence. In Ermanno Scervino’s fall-winter 2025 campaign, every object feels placed on purpose, yet nothing grabs for attention. Shot by Mikael Jansson, the camera is capturing cinematic frames.
Ermanno Scervino Fall/Winter 2025 Campaign
One moment, Natalia’s in wide-leg trousers and a cropped tuxedo shirt, looking like she just stepped out of a dream shaped by old-world tailoring. In the next scene, she’s wrapped in sheer lace and soft knits, holding a leather bag like it holds more than just essentials. There’s a real tension here. Its masculine lines meet lingerie delicacy as structure flirts with softness.
It’s about letting the clothes speak when she doesn’t have to. Long gloves, bustiers, and belted coats. They all feel borrowed from someone else’s wardrobe, yet completely hers. The light reveals chic silhouettes.
This campaign is less about fashion moments and more about quiet impact. Natalia steals the scene as serene, introspective, and unforgettable.
